Physical |
|
Dimensions (W x H x D mm) |
214mm x 127mm x 45mm / 8.43” x 5.00” x 1.77” |
Weight |
738g / 26oz |
Mounting Points |
1/4”-20 screw mount. 1x top and 1x bottom |
Environmental |
|
Ambient operating temperature |
Up to 40 Degrees Celsius |
Construction |
|
Body |
Glass fiber reinforced polycarbonate |
Cooling |
Heat Sink + Actively controlled Fan |
Touch Screen |
Capacitive Touch |
Power |
|
Input Voltage |
6.2V to 16.8V |
Compatible Batteries |
2x NP-F / L-Series batteries and supporting accessories |
DC in Connector |
1 x DC in (6.2 – 16.8V) |
Display |
|
Display Panel |
IPS panel (capacitive touch) |
Size |
7.2″ |
Resolution |
1920 x 1200 (1920 x 1080 Image Display) |
PPI |
325 |
Bit Depth |
10-Bit (8+2 FRC) |
Backlight Type |
Zone Backlight (Full-Array Local Dimming) |
Brightness (cd/m² / nits) |
3000nit (+/- 10%) |
Aspect ratio |
16:10 native resolution 1920 x 1200 |
Color Gamut |
Up to Wide color gamut (105% DCI-P3) |
Calibration Support |
ATOMOS Calibrator with Display Pro HL and Display Plus HL |
Color Pipeline |
|
Gamma |
Sony SLog/SLog2/SLog3, Canon CLog/CLog2/CLog3, ARRI Log CEI160/Log CEI200/Log CEI250/Log CEI320/Log CEI400/Log CEI500/Log CEI640/Log CEI800/Log CEI1000/Log CEI1280/Log CEI1600, Panasonic Vlog, JVC JLog1, RED Log3G10/RED LogFilm, FujiFilm F-log, Nikon N-Log, PQ10k, HLG |
Gamut |
Sony SGamut/SGamut3/SGamut3.cine, Canon Cinema/DCI P3/DCI P3+, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709/BT.2020, JVC, RED WideGamut/RED DragonColor/DragonColor2/RED Color2/RED Color3/RED Color4 |
3D LUT Display |
3D LUT (.cube format) |
Monitoring Modes |
Native / 709 / HLG / PQ / 3D LUT |
HDR Output Conversion |
Camera Log to HLG / PQ |
Color Management |
|
Calibration |
Atomos Calibrator with Display Pro HL and Display Plus HL |
AtomHDR |
Yes |
3D LUTs |
Yes |
Legalize |
Full to Legal Range Conversion available via Input Menu |
Video Input |
|
HDMI |
HDMI 1 x HDMI (2.0) |
SDI |
Quad-Link 3G SDI with 2 x 12G SDI (backwards compatible) |
Bit Depth |
8/10-Bit for Video |
Video Chroma Subsampling |
YCbCr 4:2:0 & 4:2:2 |
HDR |
HDMI Auto Detection |
Video Output |
|
HDMI |
1 x HDMI (2.0) |
SDI Loop / Play Out |
2 x 12G SDI (backwards compatible) |
HDR |
Yes with auto detection |
Video Signal Conversion |
|
HDMI to SDI |
Supported |
SDI to HDMI |
Supported |
Audio In/Out |
|
Audio Quality |
24-Bit / 48kHz |
Audio Codec |
PCM |
HDMI |
2 or 8ch 24-Bit, Input dependent |
SDI |
12ch 48kHz 24-Bit |
Analog Audio In |
Via optional 2 in 2 out XLR cable |
Analogue Audio Out / Headphone Jack |
3.5mm Jack |
Audio Input Delay |
Frame Delay on Analog Input (applied to recorded files) |
Timecode / Sync |
|
HDMI Embedded |
Supported |
SDI Embedded |
Supported |
Time of Day |
Supported |
LTC |
via full-sized BNC SYNC Port |
Wireless SYNC |
Connect an Atomos UltraSync One to the full-sized BNC SYNC Port |
Resolution and Frame Rates (Record, Monitor & Playback) |
|
4K DCI |
up to 4Kp60 |
4K UHD |
up to UHDp60 via HDMI and SDI |
2K DCI 2048 x 1080 |
up to 2Kp60 via SDI |
FHD 1920 x 1080 Progressive |
up to 1080p120 via SDI |
FHD 1920 x 1080 PsF |
Only via Pulldown to Progressive |
FHD 1920 x 1080 Interlaced |
1080i50 / 1080i60 via HDMI or SDI |
1280 x 720p |
up to 720p60 |
Recording Codecs |
|
Apple ProRes |
HQ, 422, LT |
Avid DNxHD |
220x, 220, 145, 36 (.MOV Wrapper) |
Avid DNxHR |
HQX, HQ, SQ, LB (.MOV Wrapper) |
Recording Functions |
|
Pre-roll Recording |
8s HD / 4K 2s |
Timelapse |
Supported |
Playback |
|
Playlist |
Selected Clips, Favorites, or Combined |
Loop |
Supported, with user-customizable In / Out Markers |
Apple ProRes |
HQ, 422, LT (Linear PCM Audio only) |
Avid DNx |
DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only) |
Supported Media |
|
Master Caddy I |
Not Supported |
Master Caddy II |
Supported |
Master Caddy III |
Supported |
SSDmini |
Supported |
File System |
exFAT |
Interface |
SATA 3.0 |
On-Screen Tools |
|
Waveform |
3 Sizes – Adjustable Opacity & Brightness |
RGB Parade |
3 Sizes – Adjustable Opacity & Brightness |
Vector Scope |
2 Sizes – Adjustable Opacity & Brightness |
1 x Zoom |
Tap to Zoom |
2 x Zoom |
Tap to Zoom |
Focus Peaking |
3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity |
Zebra |
Adjustable Threshold (50% to 105%) |
Isolate Color Channel |
Blue Only |
Cine Frame Guides |
6 Presets |
Social Frame Guides |
4 Presets |
Safe Areas |
SMPTE Safe Title Area – 93% & 90% |
Grid Markers |
9 Grid |
Anamorphic Desqueeze |
2x, 1.8x, 1.6x, 1.5x, 1.33x, 1.25x |
Display Flip |
Vertical |
Colorized Exposure |
Atomos False Color |
Onboard Signal Processing |
|
4K UHD Downscale for HD |
Loop-out and playback |
DCI Crop |
Available on loop out |
Interlaced to Progressive |
2:2 & 3:2 Pulldown |
PsF to Progressive |
2:2 & 3:2 Pulldown |
Remote Control |
|
HDMI |
Auto HDMI Trigger Supported Protocols – Dolby Vision, Canon, Sony, Atomos Open Standard |
SDI |
SDI trigger camera selectable |
Serial 2.5mm Jack |
Start & Stop Recording via compatible LANC Remotes |
Cut & Tag |
|
FCP XML |
Up to 10 Tags supported for each Clip |
Supported Applications |
|
XML |
Apple Final Cut Pro (.fcpxml) |
Video Codecs |
All NLE applications that support Apple ProRes and Avid DNx in an .MOV Wrapper |
What’s in the box |
|
Box Contents |
Shogun Classic unit, Master Caddy II x 1, 12V-3A AC power supply, Carry Case, Quick Start Guide |
Optional Extras |
AtomX Monitor Mount, AtomX Magic arm 10″ / 13″, USB-C Dock, PowerKit, HDMI Cables |
Warranty |
|
Standard |
1 Year |
Extended |
Extend to 2 Years with my.atomos registration |