| Physical |
|
| Dimensions (W x H x D mm) |
504mm x 310mm x 63m / 19,8″ x 12,2″ x 2,5″ |
| Weight |
6.2 kg / 13.7 lb |
Mounting Points |
Top: 4 x 1/4″20, 2 x 3/8″, Bottom: 6 x 1/4″20, 3 x 3/8″ Right: 4 x 1/4″20, 2 x 3/8″, Left: 2 x 1/4″20, 1 x 3/8″ |
| VESA Mount |
100 x 100 |
| Environmental |
|
| Ambient Operating Temperature |
Up to 40 Degrees Celsius |
| Construction |
|
| Cooling |
Heat Sink + Actively controlled Fan |
| Tally Light |
LED on the Front & Rear of the Device |
| Multi-Function Button |
Power / Lock Screen |
| Touch Screen |
Capacitive Touch |
| Power |
|
| Input voltage |
DC 12V to 16.8V |
| Operating Power |
75W |
| Compatible Batteries |
95Wh+ V-Lock / Anton Bauer Gold Mount via XLR Terminal (Optional Mounting Plates available) |
| Battery Voltage |
14.4V Nominal |
Continuous Battery Power |
Dual Battery Input via dedicated 4-Pin XLR |
| DC-In Connector |
1 x 4-Pin XLR for included DC Power Supply |
| D-Tap |
Via optional D-Tap to 4-Pin XLR Cable |
| Display |
|
| Display Panel |
SuperAtom IPS Panel (Capacitive Touch) |
| Size |
19″ |
| Resolution |
1920 x 1080 |
| PPI |
120 |
Bit Depth |
10-Bit (8+2 FRC) |
| Backlight Type |
Edge-Lit + Optically Bonded Quantum Dot |
| Brightness (cd/m²/ nits) |
1200nit +/- 10% |
Aspect Ratio |
16:9 |
| Color Gamut |
DCI P3 |
| Calibration Support |
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Color Pipeline |
|
| Gamma |
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log |
| Gamut |
BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut |
| 3D LUT Display |
.Cube Format (17 & 33 points supported) |
| 3D LUT Output |
Loop out |
3DLUT 50/50 |
Via Compare Option in LUTs Menu |
| Monitoring Modes |
Native / 709 / HLG / PQ / 3D LUT |
| HDR Output Conversion |
HLG / PQ |
| Color Management |
|
| Calibration |
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus |
| Display Controls |
Backlight, Lift, Gamma, Gain |
| AtomHDR |
Built-in Technical Log to HDR EOTF |
| 3D LUTs |
Load .Cube files from SSD into 8 LUT Slots On-Device – Use for Monitoring, bake into Recordings (optional), or apply to HDMI / SDI Output Signals |
Legalize |
Full to Legal Range Conversion available via Input Menu |
| Video Input |
|
| HDMI |
1 x HDMI (2.0) |
| SDI |
2 x 12G SDI (6G/3G Backwards Compatible) + 2 x 3G SDI |
| Bit Depth |
8/10-Bit for Video / up to 12-Bit for RAW |
| Video Chroma Subsampling |
YCbCr 4:2:0 & 4:2:2 |
HDR |
HDMI Auto Detection |
| Metadata |
|
| SDI |
File Name – Arri & RED. RAW – White Balance, Exposure Index, Shutter Speed/Angle, Iris/F-Stop, ISO, Gamma, Gamut |
| File Naming |
|
| Standard |
Scene/Shot/Take & Rolling Scene/Shot/Take |
| Via SDI |
Auto-matched filenames from supported Arri & RED Cameras |
| Video Output |
|
| HDMI |
1 x HDMI (2.0) |
| SDI Loop / Play Out |
1 x 12G SDI |
| Video Chroma Subsampling |
4:2:2 |
| Bit Depth |
10-Bit |
| HDR |
HDMI Auto Detection |
| Video Signal Conversion |
|
| HDMI to SDI |
Supported |
| SDI to HDMI |
Supported |
| Audio In/Out |
|
| Audio Quality |
24-Bit / 48kHz |
| Audio Codec |
PCM |
| HDMI |
8ch 24-Bit, Input dependent |
| SDI |
12ch 24-Bit, Input dependent |
| Analog Audio In |
2 x 3-Pin XLR(F) |
| Analog Audio Out |
2 x 3-Pin XLR(M) |
| Speakers |
2 x Built-In 5W Speakers |
| Headphone Out |
3.5mm Jack |
| Timecode / Sync |
|
| HDMI Embedded |
Supported |
| SDI Embedded |
Supported |
| Time of Day |
Supported |
| LTC |
LTC via dedicated BNC Input (Record Mode only) |
| Genlock |
Supported (Playback Mode only) |
| Resolution and Frame Rates (Record, Monitor & Playback) |
|
| 6K RAW |
up to 6Kp30 via SDI |
| 4K RAW |
up to 4Kp60 via SDI |
| 2K RAW |
up to 2Kp240 via SDI |
| 4K DCI |
up to 4Kp60 |
| 4K UHD |
up to UHDp60 |
| 2K DCI 2048 x 1080 |
up to 2Kp60 |
| FHD 1920 x 1080 Progressive |
up to 1080p120 |
| FHD 1920 x 1080 PsF |
Only via Pulldown to Progressive |
| FHD 1920 x 1080 Interlaced |
1080i50 / 1080i60 |
| 1280 x 720p |
up to 720p60 |
| Recording Codecs |
|
| CDNG |
SDI RAW Inputs up to 4Kp30 only |
| Apple ProRes RAW |
ProRes RAW & RAW HQ |
| Apple ProRes |
HQ, 422, LT |
| Avid DNxHD |
220x, 220, 145, 36 (.MOV Wrapper) |
| Avid DNxHR |
HQX, HQ, SQ, LB (.MOV Wrapper) |
| Recording Funtctions |
|
| Pre-roll Recording |
8s HD / 2s 4K – ProRes & DNx only |
| Timelapse |
Supported |
| ISO Recording |
4 x ISO up to 1080p60 (3G SDI Level A only) |
| Switched Program Record |
Supported |
| Playback |
|
| Playlist |
Selected Clips, Favorites, or Combined |
| Loop |
Supported, with user-customizable In / Out Markers |
| CDNG |
Not Supported |
| Apple ProRes Raw |
Recorded clips only |
| Apple ProRes |
HQ, 422, LT (Linear PCM Audio only) |
| Avid DNx |
DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only) |
| Multi Input / Switching |
|
| Dual Input Display |
via Multi ISO Input Mode |
| Multiple SDI Input |
Up to 4 x 1080p60 (3G SDI Level A only) |
| Multiview Display |
via Multi ISO Input Mode |
| Input Switching |
Supported |
| Supported Media |
|
| Master Caddy I |
Not Supported |
| Master Caddy II |
Supported |
| Master Caddy III |
Supported |
| SSDmini |
Supported (AtomX SSDmini Handle required) |
| CFast 2.0 |
Not Supported |
| File System |
exFAT |
| Interface |
SATA 3.0 |
| On-Screen Tools |
|
| Waveform |
3 Sizes – Adjustable Opacity & Brightness |
| RGB parade |
3 Sizes – Adjustable Opacity & Brightness |
| Vector Scope |
2 Sizes – Adjustable Opacity & Brightness |
| 1 x Zoom |
Tap to Zoom |
| 2 x Zoom |
Tap to Zoom |
| Focus Peaking |
3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity |
| Zebra |
Adjustable Threshold (50% to 105%) |
| Isolate Color Channel |
Blue only |
| Cine Frame Guides |
2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3 |
| Social Frame guides |
9:16, 1:1, 1.91:1, 4:5 |
| Safe Areas |
SMPTE Safe Title Area – 93% & 90% |
| Grid Markers |
9 grid |
| Anamorphic Desqueeze |
2x, 1.8x, 1.5x, 1.33x, 1.25x |
| Display Flip |
Vertical |
| Colorized Exposure |
Atomos False Color |
| Onboard Signal Processing |
|
| 4K UHD Downscale for HD |
Available on loop out |
| DCI Crop |
Available on loop out |
| 6K RAW to 4K Video Loop Out |
Available on loop out |
| Interlaced to Progressive |
2:2 & 3:2 Pulldown |
| PsF to Progressive |
2:2 & 3:2 Pulldown |
| Remote Control |
|
| HDMI |
Trigger Recording via Camera Record Button – Supported Protocols: Canon, Sony, Atomos Open Standard, Timecode (Rec Run) |
| SDI |
Trigger Recording via Camera Record Button – Supported Protocols: Arri, Canon, Ikegami, JVC, Panasonic, RED, Sony, Timecode (Rec Run) |
| Serial 2.5mm Jack |
Start & Stop Recording via compatible LANC Remotes – Calibration via optional USB to Serial Cable |
| Cut & Tag |
|
| FCP XML |
Up to 10 Tags supported for each Clip & Multicam with Transitions in FCP XML |
| Supported Applications |
|
| XML |
Apple Final Cut Pro (.fcpxml) |
| Apple ProRes RAW |
Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH, FilmLight Baselight |
| Video Codecs |
UAll NLE applications that support Apple ProRes & Avid DNx in .MOV Wrapper |
| What’s in the box |
|
| Box Contents |
1 x Sumo 19SE, 1x Master Caddy II, 1x BattWing Mounting Bracket, 2x Desktop Feet with 4x 1/4”20 Mounting screws, 1 x XLR Power Supply |
| Optional Extras |
Sunhood, UltraSync One, HDMI Cables, USB to Serial Cable |
| Warranty |
|
| Standard |
1 Year |
| Extended |
Extend to 3 Years when registering your Sumo 19SE on my.atomos.com |
