TECH SPECS
Shogun Studio 2
Physical
Dimensions (W x H x D mm)
447mm x 152mm x 280mm / 17.6" x 6.0" x 11.0”(Without Rack Ears) – 490mm x 152mm x 280mm / 19.3" x 6.0" x 11.0” (With Rack Ears)
Weight
5.0 kg / 11 lb
Rack Height
3U
Mounting Points
Removable Rack Ears and Desktop Feet
Environmental
Ambient Operating Temperature
Up to 40 Degrees Celsius
Construction
Body
Metal Chassis
Cooling
Heat Sink + Actively controlled Fan
Tally Light
LED on the Front of the Device
Multi-Function Button
Power / Lock Screen + Dual Record Trigger
Power
Continuous Power
2 x Internal Power Supplies
DC-In Connector
2 x IEC C14 Connectors
Display
Display Panel
SuperAtom IPS panel (Capacitive Touch)
Size
2 x 7”
Resolution
2 x 1920 x 1200 (1920 x 1080 Image Display)
PPI
325
Bit Depth
10-Bit (8+2 FRC)
Backlight Type
Dynamic Full Array Local Dimming (FALD) 360 Zones
Brightness (cd/m² / nits)
1500 nit / 3000 nit (Peak HDR Brightness Mode)
Aspect Ratio
16:10 (16:9 Image Display)
Color Gamut
Rec.709
Calibration Support
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Color Pipeline
Gamma
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
Gamut
Bt2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display
.Cube Format (17 & 33 points supported)
3D LUT Output
Loop out
3D LUT 50/50
Via Compare Option in LUTs Menu
Monitoring Modes
Native / HLG / PQ / 3D LUT
HDR Output Conversion
Camera Log to HLG / PQ
Color Management
Calibration
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Display Controls
Backlight, Lift, Gamma, Gain
AtomHDR
Built-in Technical Log to HDR EOTF
3D LUTs
Load .Cube files from SSD into 8 LUT Slots On-Device – Use for Monitoring, bake into Recordings (optional), or apply to HDMI / SDI Output Signals
Legalize
Full to Legal Range Conversion available via Input Menu
Video Input
HDMI
1 x HDMI (2.0) (for each Recording Unit)
SDI
2 x 12G SDI (6G/3G Backwards Compatible) + 2 x 3G SDI (for each Recording Unit)
RJ45 / Network
Service Only
Bit Depth
8/10-Bit for Video / up to 12-Bit for RAW
Video Chroma Subsampling
YCbCr 4:2:0 & 4:2:2
HDR
HDMI Auto Detection
Metadata
SDI
File Name – Arri & RED. RAW – White Balance, Exposure Index, Shutter Speed/Angle, Iris/F-Stop, ISO, Gamma, Gamut
File Naming
Standard
Scene/Shot/Take & Rolling Scene/Shot/Take
Via SDI
Auto-matched filenames from supported Arri & RED Cameras
Video Output
HDMI
1 x HDMI (2.0) (for each Recording Unit)
SDI Loop / Play Out
2 x 12G SDI (for each Recording Unit)
Video Chroma Subsampling
4:2:2
Bit Depth
Video
HDR
HDMI Auto Detect
Video Signal Conversion
HDMI to SDI
Supported
SDI to HDMI
Supported
Audio In/Out
Audio Quality
24-Bit / 48kHz
Audio Codec
PCM
HDMI
8ch 24-Bit, Input dependent
SDI
12ch 24-Bit, Input dependent
Analog Audio In
2 x 3-Pin XLR(F) (for each Recording Unit)
Analog Audio Out
2 x 3-Pin XLR(M) (for each Recording Unit)
Headphone Out
3.5mm Jack
Timecode / Sync
HDMI Embedded
Supported
SDI Embedded
Supported
Time of Day
Supported
LTC
LTC via dedicated BNC In/Output (Record Mode only)
Genlock
Supported (Playback Mode only)
Resolution and Frame Rates (Record, Monitor & Playback)
6K RAW
up to 6Kp30 via SDI
4K RAW
up to 4Kp60 via SDI
2K RAW
up to 2Kp240 via SDI
4K DCI
up to 4Kp60
4K UHD
up to UHDp60
2K DCI 2048 x 1080
up to 2Kp60 via SDI
FHD 1920 x 1080 Progressive
up to 1080p120 (Single Record Mode) – up to 4 x 1080p60 ISO (for each Recording Unit)
FHD 1920 x 1080 PsF
Only via Pulldown to Progressive
FHD 1920 x 1080 Interlaced
1080i50 / 1080i60
1280 x 720p
up to 720p60
Recording Codecs
cDNG
SDI RAW Inputs up to 4Kp30 only
Apple ProRes RAW
ProRes RAW & RAW HQ
Apple ProRes
HQ, 422, LT
Avid DNxHD
220x, 220, 145, 36 (.MOV Wrapper)
Avid DNxHR
HQX, HQ, SQ, LB (.MOV Wrapper)
Recording functions
Pre-roll Recording
8s HD / 4s 4K – ProRes & DNx only
ISO Recording
4 x ISO up to 1080p60 (3G SDI Level A only) (for each Recording Unit)
Switched Program Record
Supported
Playback
Playlist
Selected Clips, Favorites, or Combined
Loop
Supported, with user-customizable In / Out Markers
cDNG
Not Supported
Apple ProRes Raw
Recorded clips only
Apple ProRes
HQ, 422, LT (Linear PCM Audio only)
Avid DNx
DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only)
Multi Input / Switching
Dual Input Display
via Multi ISO Input Mode
Multiple SDI input
Up to 4 x 1080p60 (3G SDI Level A only) (for each Recording Unit)
Multiview Display
via Multi ISO Input Mode
Input Switching
Supported
Supported Media
Master Caddy I
Not Supported
Master Caddy II
Supported
Master Caddy III
Supported
SSDmini
Supported (AtomX SSDmini Handle required)
CFast 2.0
Not Supported
File System
exFAT
Interface
SATA 3.0
On-Screen Tools
Waveform
3 Sizes – Adjustable Opacity & Brightness
RGB Parade
3 Sizes – Adjustable Opacity & Brightness
Vector Scope
2 Sizes – Adjustable Opacity & Brightness
1 x Zoom
Tap to Zoom
2 x Zoom
Tap to Zoom
Focus Peaking
3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity
Zebra
Adjustable Threshold (50% to 105%)
Isolate Color Channel
Blue Only
Cine Frame Guides
2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame Guides
9:16, 1:1, 1.91:1, 4:5
Safe Areas
SMPTE Safe Title Area – 93% & 90%
Grid Markers
9 Grid
Anamorphic Desqueeze
2x, 1.8x, 1.5x, 1.33x, 1.25x
Display Flip
Vertical
Colorized Exposure
Atomos False Color
Onboard Signal Processing
4K UHD Downscale for HD
Available on loop out
DCI Crop
Available on loop out
6K RAW to 4K Video Loop Out
Available on loop out
Interlaced to Progressive
2:2 & 3:2 Pulldown
PsF to Progressive
2:2 & 3:2 Pulldown
Remote Control
HDMI
Trigger Recording via Camera Record Button – Supported Protocols: Canon, Sony, Atomos Open Standard, Timecode (Rec Run)
SDI
Trigger Recording via Camera Record Button – Supported Protocols: Arri, Canon, Ikegami, JVC, Panasonic, RED, Sony, Timecode (Rec Run)
Serial 2.5mm Jack
Start & Stop Recording via compatible LANC Remotes – Calibration via optional USB to Serial Cable
RJ45
Service Only
RS422
Supported – Qualified Controllers only
Cut & Tag
FCP XML
Up to 10 Tags supported for each Clip & Multicam with Transitions in FCP XML
Supported Applications
XML
Apple Final Cut Pro (.fcpxml)
Apple ProRes RAW
Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH, FilmLight Baselight
Video Codecs
All NLE applications that support Apple ProRes & Avid DNx in .MOV Wrapper
What’s in the box
Box Contents
1 x Shogun Studio 2, 2 x Rack Ears with Screws, 4 x Rubber Feet with Screws, 2 x IEC Power Cables, 2 x Coiled HDMI Cables, 5 x Master Caddy II, 1 x USB-C SSD Dock
Optional Extras
UltraSync One, HDMI Cables, USB to Serial Cable,
Warranty
Standard
1 Year
Extended
Extend to 3 Years when registering your Shogun Studio 2 on my.atomos.com